I’m not sure why I enjoy reading end of the world scenarios so much, but they’re one of my favorite sub-genres. I mean, I just took an hour walk outside admiring the springtime green, my neighborhood’s lovely flowers, the birds singing, and what do I do when I get home? Decide to write a post recommending end of the world short stories and poems. Because, of course.
So if you only have 10-20 minutes to read, here are 10 online short stories and poems about the end of the world. Afterward, remember to take a breather and admire nature…while it’s still here.
Charlie Jane Anders just won a Nebula for her end of the world novel All the Birds in the Sky, one of my favorite novels from 2016. But that wasn’t her first time writing about the end of the world. In “As Good as New,” Marisol — a washed-up playwright who managed to survive the apocalypse — finds a jinni in a bottle. Can her 3 wishes save the world?
Originally written in 1909, this short story feels like it could’ve been written yesterday. A highly technological human settlement, run by The Machine, lives in an air-ship after some kind of apocalypse. Vashti’s life changes when her son starts questioning The Machine.
Sahra records her travels with her mom in letters to her disappeared friend Fox. She and her mom are traveling between human settlements, teaching the remaining children and trying to convince the settlements to live safely. But is Fox receiving Sahra’s letters? And why did he abandon them? This short story is also recently published in Sofia Samatar’s first short story collection — Tender: Stories.
“In the lantern-light, the lawn speckled
with lead looked lovely. We would live this
down by living it up. My pile of looseleaf
was getting smaller—I wrote in margins,
through marmalade stains, on the backs of maps.”
“On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.”
“This morning we woke to the grackles. Their mouths open, tails oil-black against the blacker pavement. Some had closed their eyes; others had died staring. Cars stopped on Congress and were left, hunched like boulders. The elms, always bright with cries, were still.”
What are some of your favorite end of the world shorts?
The Snow Child by Eowyn Ivey. Published in 2012. A childless couple, Mable and Jack, move to Alaska after a terrible heartache, hoping to make a new life for themselves. On one wintry evening they build a snow child, and the next day a real child appears. Is this the daughter they’ve longed for? The Snow Child is a lovely fairytale retelling, and an amazing first novel. There are many variations of this fairy tale, which you can read here. I especially like the first one. Ivey writes lyrical, simple prose that sets exactly the right tone for the novel. “November was here, and it frightened her because she knew what it brought — cold upon the valley like a coming death, glacial wind through the cracks between cabin logs. But most of all, darkness. Darkness so complete even the pale-lit hours would be choked.” Shiver. Though set in the 1920s, the writing style is modern. There’s only a little bit of magic thrown in off and on, but despite that, the novel feels perfectly magical. 4.5/5
The Underground Railroad by Colson Whitehead. Published in 2016. This book, I assume, hardly needs a summary at this point. It was next on my stack when it won the Pulitzer Prize. In case you don’t know, The Underground Railroad traces the path of escaped slave Cora as she flees across the South. Each state has unique ways of treating blacks — from Georgia’s cotton-picking violence to South Carolina’s weird eugenics to North Carolina’s lynching to Tennessee’s remnants of the Trail of Tears to Indiana’s supposed utopia. And yes, Cora uses the underground railroad, but in this novel, it’s literally a railroad. Whitehead weaves hints of magical realism and absurdist horror into Cora’s narrative, and also gives other stories between each of Cora’s sections: Ridgeway, a runaway slave hunter; Ethel, a white woman with a hypocritical ‘savior’ complex; and many others. What makes this novel unique compared to other fiction about slavery is the use of the horror genre and bits of magical realism. He doesn’t go over the top with either; it’s very subtle. I had a weird reading comprehension issue with it. A ton of character names begin with C or R. I found myself struggling to keep track of all the characters, which did improve the last third of the novel. Also, sometimes the characters were introduced in weird ways, so it would take me a while to realize ‘that person’ or ‘someone’ was a named character in the next paragraph. I would then have to reread the first few pages. Keeping track of characters isn’t something I normally struggle with. It’s also more emotionally distant than I expected, but I think that was on purpose. Even as I was disgusted by some of the events unfolding in the novel, it was more an intellectual disgust versus a physical one. It’s almost like a list is being ticked off of all the horrific ways the US has treated black Americans, though if that were true the novel would be much longer. It’s definitely worth reading. 4/5
The Rise of the New Woman: The Women’s Movement in America, 1875-1930 by Jean Matthews. Published in 2004. I’m continuing my research of the suffrage movement for a writing in progress. This book gives a broad introduction to the movement. I appreciate Jean Matthew’s attention to the disenfranchisement of black women in the movement while also highlighting important black women figures. The scope of the book is much broader than that and covers the entire movement, but every chapter highlighted black women to some extent, and in a movement that was often racist, addressing the accomplishments of POC was refreshing. It’s also very readable. 4/5
Norse Mythology by Neil Gaiman. Published February 7th, 2017. In Norse Mythology, Gaiman collects a selection of Norse myths, adding a modern tone and some of his sense of humor to the dialogue. These are not fictionalized variations of the tales. Do not read this expecting American Gods or Odd and the Frost Giants. It’s more along the lines of Fairy Tales from the Brothers Grimm: A New English Version selected by Philip Pullman. I like Myths of the Norsemen: From the Eddas and Sagas a bit better, but Gaiman’s collection would still make a good entry point into Norse myths. Ultimately, I’m just not a fan of Thor and Loki. They seem like college frat boys in a bad comedy movie. Who also like to kill things. It’s probably not fair to judge an entire mythology on two characters. Eventually, I need to read The Prose Edda so I have a better idea of the mythology. I do really love the tree Yggdrasil, though. 3/5
Short Story Collections
Stories of Your Life and Others by Ted Chiang. Published in 2002. The movie Arrival is based on the title story, “Story of Your Life,” which is the best piece in this collection. Better than the movie. In most of these short stories, Ted Chiang combines hard science with complicated, questing characters. Not questing in the usual fantasy sense, but questing as in lonely souls trying to find meaning in the world while struggling with a scientific concept that changes everything. The stories are weakest when they rely too heavily on a scientific concept and lack the character and plot building to support the story. But there were only a few of those. Most were complex and interesting. Oh, and Ted Chiang describes his writing process for each story at the end. I wish every author included these in their short story collections! You can read my review of each story on Goodreads. 3.5/5
Uncanny Magazine Issue 15: March/April 2017 edited by Lynn M. Thomas and Michael Damian Thomas. A wide range of stories. My favorite by far is “And Then There Were (N – One)” by Sarah Pinsker, in which Sarah Pinsker goes to a multidimensional conference of Sarah Pinskers, and then there’s a murder to solve. Very fun. All of the essays are quite good, and for the most part concern surviving and resisting in an oppressive political climate. Very timely. My individual reviews of each story, poem, and essay can be found here. 3.5/5
On the first day of the semester in my University Writing class, I ask my students to generate a research question and to ask as many of their fellow students the question before the class ends. The question can be anything: best place for pizza in town, favorite ice cream flavor, what to watch on Netflix. My question is the same every year: “What’s the hardest part of writing?” And the most frequent answer is, “Getting started.”
It’s hard to write. No one ever said it was easy, but many college students are only presented with perfect, completed pieces of writing. This leads to the feeling that their own writing needs to be perfect after a single draft. And then writing paralysis sets in. Staring at the blank page, unable to come up with any ideas, frustration. Or writing a sentence, erasing it, rewriting the sentence making only minute changes. And two hours later, the student has maybe a page completed.
This doesn’t work. Getting started shouldn’t be that hard.
So I teach a 4 stage drafting process. I heard about this process after observing another college intro writing professor teach this method to her own students. It was created by composition instructor Betty Flowers, after having very similar experiences as my own. Here it is:
4 stages of drafting
1. Madman: The crazy idea draft. Write crazily, write sloppily, and go on tangents. This is a discovery process. You don’t know everything you have to say unless you let yourself explore.
2. Architect: The designer draft. Narrow your ideas into a single focus and then shape your paper by grouping similar ideas together around that focus. This draft seeks to organize your thoughts around one point by choosing what ideas your paper will be about. Not everything can stay. If you’re an outliner, then this is when you’ll outline your paper.
3. Carpenter: The builder draft. Build up the paper by filling in the spaces your architect draft has outlined (with transitions, more evidence, etc.), combining your madman ideas into a logical, cohesive home.
4. Judge: The critic draft. Edits spelling and grammar errors. Edit as a reader instead of as the writer.
Most writers believe revising means editing for grammar. They don’t realize that grammar and mechanics should be one of the last things a writer looks at. That’s because what you’re going to write about has to come before how your sentences work.
In conjunction with teaching this drafting process, I also assign a chapter from Anne Lamott’s fantastic writing how-to book Bird by Bird: Some Instructions on Writing and Life — “Shitty First Drafts.” In this chapter, Lamott describes a similar revising process, though she calls the first draft the ‘child’s’ draft, where you let yourself romp and play on the page. Giving students this chapter shows them that ‘shitty first drafts’ is normal. That’s how writing works. And they get to cuss in class.
I also tell students that this is a recursive process. Maybe you start your carpenter draft and realize you need a lot more about a point. Then you can go back to being a madman, and do a freewrite and see where it leads you.
A few students always object to the madman drafts. They like to outline, but what I’ve noticed about the students who love outlining is that their outlines are sprawling, wild things. They essentially work as madman drafts — freewriting ideas, listing points and quotes beneath those ideas, testing out topics. If that’s how the student likes to begin, I usually let them do so. As long as they’re still letting themselves freewrite and explore ideas and concepts, I don’t care what it looks like.
But most students find writing a madman draft freeing. They tell me they finish papers much faster, despite going through multiple drafts. And they like their papers better. That’s because it didn’t hurt to write it. They let themselves ‘play’ on the page, gave themselves permission to be imperfect. And all writers need that permission.
Here are more notes I give concerning these 4 stages:
Strategies for the Madman Draft
• List ideas, start freewriting. No editing sentences as you type.
• Be specific with details, tell stories, think about the stories and write out those thoughts.
• Can be stream-of-consciousness, in response to questions or ideas, and/or full paragraph meanderings.
• Ignore word count at first. If you run out of things to say, move on to another aspect of the topic, or reread without making changes and add to what you’ve written.
Strategies for the Architect Draft
• Reread madman draft, and choose a focus for your paper.
– Write focus in 1-2 sentences. This works as your thesis statement.
• Delete writing that doesn’t relate to focus.
• Organize into paragraphs around similar points.
o Make an outline
o Highlight similar ideas in different colors
o Print off a copy and cut out each paragraph and try rearranging it
Strategies for the Carpenter Draft
• Reread Architect Draft. Add evidence and details where needed.
• Write or rewrite the Introduction.
– Start specific, not broad.
o An anecdote/memory.
o An elaboration of your specific focus.
o Highlighting your research question and results.
• Write or rewrite the Conclusion.
– Point to broader implications. Why is the focus of this paper important to your audience?
– Propose a course of action, a solution to an issue, or questions for further study.
– If you begin by describing an anecdote or memory, you can end with the same anecdote or memory as proof that your paper is helpful in creating a new understanding
o Avoid saying “To conclude” or “In conclusion”
• Add transitions.
– Bridges between paragraphs
– Go at the beginning of paragraphs and connect the information from the previous paragraph to the new paragraph
– Usually phrases. Avoid 1 word transitions like “Next,” “Finally,” “Secondly,” etc., unless they add to the meaning of the sentence
– Example: “Though I failed my first paper in tenth grade English, I aced the research paper in History class.”
Strategies for the Judge Draft
• Make a list of the paper’s strengths and weaknesses.
• Reread and try to correct weaknesses.
• Read sentence by sentence from the END to the beginning, making spelling and grammar corrections.
• Read aloud, making corrections as you see them.
• Have someone else read it to you, making notes when you hear something off.
If you’re a teacher, feel free to use my notes. And even if you’re not a teacher, I find these methods aid in my own writing. It’s easy to forgot that drafting is a part of writing.
Midnight Robber by Nalo Hopkinson. Published in 2000. A Caribbean, carnival, multi-dimensional space travel science fiction novel that deals with abuse, rape, marginalization, colonization, and othering. Seem like a lot? It really is. A young Tan-Tan pretends she’s the Robber Queen — a carnival rogue — on a planet colonized by Caribbean immigrants. But when her father, the mayor, is arrested, both of them are forced into exile on a multidimensional ship that takes them to a place very different than the one Tan-Tan knows. I love the dialect and Caribbean culture, and I thoroughly enjoyed the last third or fourth of the novel. But it takes forever for the plot to get going. The first chunk could’ve been half as long. I did really like the end, though. This is my first Nalo Hopkinson, and despite the 3 stars, I will try more of her novels. I haven’t read anything like it before, and that’s reason enough to try out another. 3/5
Speak by Louisa Hall. Published in 2015. Multiple narrative threads rotate around contemplations of memory, love, loss, and the need for human communication and contact. Stephen Chinn writes a memoir about falling in love and building a true AI doll. Transcripts between Gaby and Mary3, an AI, are presented at Stephen’s trial. Ruth and Carl Dettman write letters to one another about memory and Carl’s computer Mary, without ever sending the letters. Ruth reads the diary of Mary, a 17th century US settler, to Mary the computer. Alan Turing writes to his dead best friend Chris’ mother as he struggles with Chris’ death and his own spirituality. Speak is a meditative novel, not one that gives closure to any of the characters. I liked that about it, but I also wanted to delve deeper into each character. Still, I would recommend it to people who enjoy AI and/or science-based novels. 3.5/5
The Wanderers by Meg Howrey. Published March 14th, 2017. Another science-based novel, this one dealing with space travel. It’s also quite introspective, though I liked this one more than Speak, primarily because it reached a depth of character development I tend to really enjoy. Read my full review here! Definitely recommend. 4/5
Bad Feminist: Essays by Roxane Gay. Published in 2014. A friend and I attempted to read this together, but she kept losing her book, so I read ahead. I just couldn’t leave it unfinished any longer! Obviously, I’m a bad feminist friend. 🙂 We did have a couple of meetups before she lost the book, and you can read our discussions on my Goodreads review. I finished the book mostly thinking about how much I like Roxane Gay. She seems like an awesome person to know, and I would love to be in one of her classes. I don’t always connect with all her pop culture examples (my pop culture knowledge tends to be exclusively SF based), but I love her meandering approach and the things she said even if I didn’t fully understand the context. I could easily apply her thoughts to my own experiences. Definitely a must-read for feminists, or anyone unsure if they’re a feminist. 4/5
Century of Struggle: The Woman’s Rights Movement in the United States by Eleanor Flexner. First published in 1959. Century of Struggle chronicles the woman’s suffrage movement in the US from pre-Seneca Falls to when women finally won the vote, more than 70 years after the first woman’s suffrage convention at Seneca Falls. Just to illustrate why books like this need to be read, I mentioned Seneca Falls to three or four people who had asked what I was reading, and they had no idea why Seneca Falls was significant. They’d never heard of it. And it’s no surprise. I’ve spent twenty years in the education system and minored in history, but I don’t recall the woman’s suffrage movement being discussed in a single class. While I did know about Seneca Falls before reading this (I learned about it on my own), there was so much about the movement I didn’t know, far more than what I did. I mean, I learned A LOT. The history of how women won the vote in the US is fraught with struggle and amazing women. It’s absolutely fascinating, and people need to know this history! 5/5
Black Zodiac: Poems by Charles Wright. Published in 1998. Continuing my poetry reading from February. As with Chickamauga: Poems (the only other collection by him I’ve read), Charles Wright explores connections between spirituality, landscape, and art. He’s a master at the long line; his poems sprawl across the page, full of ellipses and dashes, beginning left and then right, utilizing the entire page. I kind of have to work at his poems, which is a good thing. 4/5
Short Story Collections
Uncanny Magazine Issue 14. Published in January 2017. I feel like with every issue of Uncanny I begin my review with — Another strong issue — but here it is again: another strong issue. The story that stands out the most is Maria Dahvana Headley’s novelette The Thule Stowaway, a chronicle of the last days of Edgar Allen Poe as told by Mrs. McFarlane, who has a creature trapped in her body. It’s very atmospheric, and there’s also a fantastic interview with the author. The essays also stand out as being quite good, with my favorite being an analysis of the film Fantastic Beasts and Where to Find Them. You can read my review of all the stories on Goodreads. 4/5
How I got it: Thanks to Netgalley and PENGUIN GROUP Putnam for providing me an advanced copy in exchange for an honest review.
The Wanderers takes place in a very near future. Prime Space — sort of like Elon Musk’s SpaceX — chooses Helen (U.S.), Yoshi (Japan), and Sergei (Russia) to be the first astronauts on Mars. Prime Space believes these three engineers and space exploration veterans have the perfect personalities to pull off this long and potentially fraught trip.
But before the trio can go to Mars, they must undergo a 17-month simulation, a simulation that feels so real that as the months drag on and on, the astronauts — and the reader — begin to question whether it really is a simulation.
What makes The Wanderers different from other space exploration novels is that the entire novel occurs during the simulation. Prime Space needs to make sure that their chosen three can make it to Mars, so they scrutinize their every move during the all too real simulation, fabricating dilemmas at every turn and watching their reactions and analyzing their emotional states. To prove that they’re perfect for the job, Helen, Yoshi, and Sergei perform the ‘perfect astronaut.’ Veterans at this performance, they know exactly the right reactions to have, how to train their facial expressions, and what to say and when to say it. But as months pass in the simulation and the astronauts live exactly as they would in space, reality begins to break down — both their performed realities and their physical reality. It’s a deeply introspective novel.
“Prime is very deep,” Yoshi says. “I have begun to wonder how deep. Everything seems to have been arranged to work with great precision upon our emotions, to cause us to investigate ourselves and root out that which might obstruct our mission.”
The novel switches perspectives between the three astronauts and their closest family members. Helen, the oldest crew member in her late fifties, lost her husband a few years earlier, and Mireille, her adult actress daughter who can never be her mother, struggles with another parental abandonment as her mother leaves to train for the mission. Yoshi, the youngest member of the crew, must leave his wife Madoka for the mission. While they seemingly have the perfect relationship, Madoka performs the roll of wife and successful business woman without any real sense of living, and Yoshi, ever the romantic, lives in metaphor so much that he fails to understand the physical reality of love. Sergei is undergoing a divorce while his teenaged son Dimitri tries to hide his sexuality, ashamed of being attracted to men and in need of an accepting, present father. While Sergei was my favorite character, there were no characters I didn’t want to read more about.
The Wanderers isn’t a novel about space travel; it’s a novel about the inner workings of the people driven to space, the affects of space travel on their families, and how long space flights can affect perceptions of the past, present, and future. It’s a deeply interior novel, not driven by plot but rather by the subtle opening up of the characters as their many layers to ward off public perception are slowly peeled away to reveal something much more vulnerable and much more human.
I fear the blurb’s analogy to Station Eleven and The Martian is slightly misleading, for it’s only superficially similar to Station Eleven (in that it appeals to all audiences versus only within the SF community), and while I only watched The Martian and didn’t read it, the only relation I see there is that they’re both about space travel. The approach is entirely different.
I highly recommend reading The Wanderers. It’s my first by the author, and I definitely plan to read more by her.
Genre: Short Stories across the spectrum of genres
How I got it: Thanks to Netgalley and Rebellion Publishing for providing me with a free copy in exchange for an honest review.
Review: “When Allah created man out of clay, Allah also created the djinn out of fire.”–Mahvesh Murad, from the Introduction.
This is a really wonderful short story collection. I’d no idea so many variations of djinn existed — good or evil, mischievous or kind, religious or deviant, and everywhere in between. The sheer variation of interpretation is what makes this a superior collection, as well as, of course, the superior writing. There’s not a single poorly written piece in this collection. They’re all nuanced, well-thought, character driven stories. It’s also a great mix of authors I know and ones I’m unfamiliar with. I’ll be checking out some of the authors that were new to me to see what else they’ve written.
I had three absolute favorites. First up is the opening poem by Hermes, which gave me goosebumps: “A djinn I am. / My fetters may be broke but / still they wrap round wrist and ankle: / every djinn’s possessed.” The poem sets the tone for the anthology, though If there’s one downside to opening with it, it’s that I then expected more poems, but, alas, this is the only one.
Then there’s the wonderfully creepy “REAP” by Sami Shah. It’s going to stick with me. In “REAP,” a group of soldiers spying on a possible terrorist’s home in Afghanistan with the use of a drone see something completely unexpected and super creepy. It’s my first time reading Shah, so I’ll be seeing what else he’s written. Wait…I just looked him up, and he’s a comedian??? There’s nothing funny about this story! That’s weird.
I also love “Somewhere in America” by Neil Gaiman, an excerpt from American Gods. I still remembered it from American Gods, but it remained good. I’m actually not a huge fan of American Gods, yet, this chapter was my favorite from it, and it works perfectly as a short story.
A close runner up to my favorite’s list is the first short story — “The Congregation” by Kamila Shamsie, another author I’m unfamiliar with. This one is steeped in Islamic culture, yet very accessible to me, someone unfamiliar with the culture and religion. In fact, that’s one of the best things about this collection, it’s diversity, accessibility, and variation. Anyone should be able to find stories they like in this collection, no matter your reading taste.
I would definitely recommend this to anyone who loves short stories, particularly if you’re looking to read a diverse collection, and like a bit of magic in your fiction.
Here are my reviews of each story:
Hermes (trans. Robin Moger) — “The Djinn Falls in Love”: Ooo, lovely poem. 5/5
Kamila Shamsie — “The Congregation”: A young man visits his family’s mosque late one night, to find jinn worshiping there instead. One jinn in particular enraptures him. Loved the immersion of this one. 4.5/5
Kuzhali Manickavel — “How We Remember You”: A man remembers how as a teen he and a group of friends did something they’ll regret the rest of their lives, to another friend who’d begun growing wings on his back. 4/5
Claire North — “Hurrem and the Djinn”: Davuud is asked to discover what foul djinn Hurrem — the sultan’s favorite wife — consorts with. Things get out of hand. Men can be stupid. 🙂 This novelette is predictable, but well written. I love all these different takes on djinn. They’re so different from tale to tale — in appearance, temperament, powers, etc. 3.5/5
J.Y. Yang — “Glass Lights”: A woman whose grandmother was a djinn struggles in the contemporary world with loneliness. Good writing and character, but lacking in plot. 3/5
Monica Byrne — “Authenticity”: A young woman searches for authentic experiences, and sex is one way to find those experiences. She gets with a young man who is filming a porn movie later. But are either of them what they seem? 3/5
Helene Wecker — “Majnun”: A jinn, once the lover of a beautiful jinn ruler, has a religious crisis and becomes an exorcist. Very interesting story. 4/5
Maria Dahvana Headley — “Black Powder”: A hunter, a kid, a pawnshop owner, and a priest become entwined in a story about a jinn that lives in a rifle. Not sure I exactly understood the end, it felt like a retelling of a story I’m completely unfamiliar with, but the writing and relationships are well done. 4/5
Amal El-Mohtar — “A Tale of Ash in Seven Birds”: Magicians hunt reincarnations of birds. No strong djinn connection, that I can tell. Not a big fan of this, though I usually love El-Mohtar’s fiction. 2/5
James Smythe — “The Sand in the Glass is Right”: A man tries again and again to get his wish right, but what does he lose in the process? I liked the theme of consequences. This is one that would probably be best on a second read. 4/5
Sami Shah — “REAP”: A military unit watches a group of houses in Afghanistan with the use of a drone, and see some pretty disturbing stuff. This story is excellent. It will stay with me for a while. 5/5
Catherine King — “Queen of Sheba”: A twelve-year-old girl celebrates her first Christmas with the adults, but as she’s ironing a tablecloth, she sees visions. Good story, though without a plot. I’m still buzzing from the last story, so that may have affected my read of this one. 3.5/5
E.J. Swift — “The Jinn Hunter’s Apprentice”: A spaceship set for Ganymede has an unexpected hiccup when it becomes infested with djinn. I would think sci-fi and djinn wouldn’t mix well, but this is a solid story. 4/5
K.J. Parker — “Message in a Bottle”: During the Middle Ages, a scholar tries to determine if a previous now dead scholar’s bottle labeled “For the plague” is a cure, or a new strain that will wipe out humanity. Well written, but couldn’t he test it on people in confinement? 3/5
Saad Hossein — “Bring Your Own Spoon”: In a post apocalypse where food is scarce, a man decides to start a restaurant with the help of a djinn. 3.5/5
Neil Gaiman — “Somewhere in America”: An excerpt from American Gods, and one of the few chapters I remember completely. It works really well on its own. A man is sent to America to sell his brother-in-laws cheap nic nacs, and finds an unexpected friend in a cab driver. 4.5/5
Jamal Mahjoub — “Duende 2077”: There’s a murder, and the detective trying to solve the case runs into some complications that herald to his past. I never understood exactly who the murderer was. 3/5
Sophia Al-Maria — “The Righteous Guide of Arabsat”: In the contemporary Middle East, a sexually repressed guy marries what his mother claims to be a ‘good girl.’ But after discovering his new wife knows more about sex than he, he decides she must be possessed by a djinn. Reminds me of Victorian era attitudes toward sex. A disturbing story. 4/5
Kirsty Logan — “The Spite House”: A half djinn/half human woman takes the leftover junk people leave in their yards, but when a woman confronts her about this and makes a wish, she feels a power overtake her. But is she the one with the power? I liked the switch in dynamics here. 4/5
Usman Malik — “Emperors of Jinn”: A group of rich children become obsessed with a spell book that calls djinn. These are some truly evil brats. 3.5/5
Nnedi Okorafor — “History”: A superstar singer prepares for a televised concert, and reflects on a childhood spent in Africa, and the magic she learned there, and the bush baby she caught that lives in her mirror. I really liked this story, but it felt like it was referring to something else — maybe a novel Okorafor has written? Felt like a small part of something much larger. 3.5/5