Reading Railroad: June’s Reading

I only read 5 books in June, wah wah wah. I read 11 in May, so maybe it evens out? I’ll have to do better in July.

Novels

Mama DayBook cover for Mama Day by Gloria Naylor by Gloria Naylor. Published 1989. A really mixed read for me. On the one hand, Naylor writes a wonderful, hilarious character in Mama Day, a 90-year-old respected healer in the small Georgia island she lives on. She and her sister Abigail carry a sorrowful history between them, but manage a productivity that rivals people half their age. And they’re very funny. And then there’s Cocoa/Ophelia, Abigail’s granddaughter, and her beau George. Cocoa and George live in New York City, and could not be more stereotyped and boring. I hated reading their chapters, and wish I could’ve just stayed with Mama Day, who had a much more interesting personality, and much more interesting things going on. Overall, I’m glad I read it for the Mama Day sections, and I enjoyed the small town island life and the unique characters that lived there. But I was truly bored and fed up with the Cocoa/George sections. I almost quit reading because of them. 2.5/5

BannerlessBook cover of Bannerless by Carrie Vaughn by Carrie Vaughn. Published July 11th, 2017. This is marketed as a dystopia, but I actually didn’t find the post-apocalyptic society particularly dystopian. In fact, it’s pretty stable and egalitarian. I would live in this future, except minus all the past deaths due to environmental collapse, of course. Enid is an investigator, and she and her friend and fellow investigator Tomas travel to what looks like an idyllic town to investigate a rare murder. The title comes from the banners awarded households who have contributed to their community enough to be able to support a child. The banners allow households to have children, but only the households who can contribute. So a household where no one works wouldn’t be awarded a banner. At the age of 12, girls are put on birth control. When a household receives a banner, an adult woman is chosen to have her birth control removed until she conceives. There are ways to spin that as dystopian, but in the world of the novel, it seems perfectly practical. The banners did make me wonder about the households with family members who are unable to contribute to earning a banner — those unable to work due to disability. However, disabled people apparently don’t exist in this world. The murder mystery was a bit unmysterious, but it still kept me reading. I enjoyed the setting and Enid’s character enough to want to know what happened next. The world building is clunky in the beginning, but once it settles into a story, it’s a fun read. Thanks to Netgalley and John Joseph Adams/Mariner Books for providing me with a free copy in exchange for an honest review. 3.5/5

Book cover of The Wood Wife by Terri WindlingThe Wood Wife by Terri Windling. Published in 2003. This is one of those wonderful, contemporary mythic novels that blurs the boundaries between reality and folklore. I went through a phase where I only wanted my folklore in vaguely historical realms — much like the stories themselves — but lately I’ve begun preferring them mixed into contemporary life and living. Maybe this mirrors my own self now, a folklore lover that also works 3 jobs, lives in a city, and wants to know there can still be some magic in my life. In The Wood Wife, writer Maggie inherits the remote Arizona home of her favorite poet Cooper, who she’s never met but has been corresponding with for a long time. She fell in love with his poetry collection The Wood Wife, and ever since the two have exchanged letters. And can I just say, I want to read all of this fictional poetry collection! Windling gives little snippets, but not enough for me. It reminded me of Songs for Ophelia by Theodora Goss, but with an underlying story to each poem. Maggie is a city-smart cosmopolitan traveler, yet she ends up falling in love with Arizona. In Cooper’s house, she finds snippets of poems, and also a room full of the magical paintings of Cooper’s long deceased wife, Anna Naverra (whose work is often compared to Leonora Carrington, one of my favorite artists). Anna’s paintings and Cooper’s poems hint at magical and folkloric creatures that haunt the Arizona wilderness. And a mystery that Maggie must solve. If you like art and folklore in your fiction, then you’re bound to enjoy this. It reminded me a lot of Charles de Lint, particularly Memory and Dream, as well as the newish novel Roses and Rot by Kat Howard. 4/5

Book cover for The Changeling by Victor LaValleThe Changeling by Victor LaValle. Published June 13, 2017. It’s difficult to review this book, because the action that propels the ‘horror’ in this novel occurs well into the plot. But you know changeling folklore, right? If you don’t, essentially, goblins steal a newborn child and leave a look-alike in the baby’s place. The parents then have to trick the baby-goblin into revealing itself. Apollo, the main character in The Changeling, knows this folklore from a book his absent father gave him before he disappeared, Outside Over There by Maurice Sendak. This is my favorite Maurice Sendak children’s book. Apollo lives in New York City, and works as a book dealer. He falls in love with Emma at a library. She’s a librarian. So lots of bookish references to enjoy! While marketed as a horror novel, it’s a light one. The tone is easy, Apollo funny and relatable, and while there’s a supernatural creature and bloody scenes, I never felt scared. Or alarmed. However, if you have issues with violence against children, you may want to skip this one. Oddly, I enjoyed reading the first half more than the second, even though the main action doesn’t start until well into the novel. I enjoyed Apollo’s voice and reading about his life and his relationship with Emma, and his experience being a ‘new father,’ aka dads who actually spend time with their kids. Maybe I enjoyed reading the first half since those are things I’m looking forward to experiencing soon! I recommend this to anyone who likes folklore mixed into modern settings, and who doesn’t mind a little bit of horror. Thanks to NetGalley and Spiegel & Grau for providing me with a free copy in exchange for an honest review. 4/5

Short Story Collections

Magazine cover for Uncanny Magazine Issue 16Uncanny Magazine Issue 16. Published May 2, 2017. In this issue, stories shift between talking swords, vampires, and body enhancements, but all focus on self-identity and how others perceive us. I especially enjoyed Hiromi Goto’s “Notes from Liminal Spaces,” which is liminal in many ways. Extra nonfiction essays appear in this issue — 10 total! They range from political advice to SFF commentary. My favorite of these was the very last — “How I Learned to Stop Worrying and Eat the Damn Eyeball” by DongWon Song, about food and colonization in SFF. Of the poems, Theodora Goss once again writes a lovely, perfect poem in “Seven Shoes,” a poem about the magical bargains we make, and how often life moves in such a way that we may forget them. I highly recommend these 3 in particular. My review of each story is posted on Goodreads. 4/5

What did you read in June?

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